Stravinsky: Agon - Ballet (1957) - 13. Pas-de-deux by Igor Stravinsky
Stravinsky: Agon - Ballet (1957) - 13. Pas-de-deux by Igor Stravinsky
May 21, 2023
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Agon, named after the ancient Greek word for contest and struggle, is one of Balanchine’s most famed plotless neoclassical ballets. First staged in 1957, the ballet features a score by Igor Stravinsky and movements based on French court dances. Agon joins Apollo and Orpheus in the winter season’s Stravinsky & Balanchine Greek Trilogy program. For tickets and more information about our Winter performances, JAN 22 - MAR 3, visit nycballet.com/winter | New York City Ballet
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Agon, named after the ancient Greek word for contest and struggle, is o…
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Form rehearsal to the stage ✨ We are thrilled to be bringing back Stargazing to @markmorrisdancecenter_ in less than TWO WEEKS! Join us on February 6 & 7 at 7:30pm for the return of this incredible full length ballet by Miro Magloire to music composed by @chris_fredd 🎶 #newchamberballet #chambermusic #dancenyc #livemusicnyc #miromagloire | New Chamber Ballet
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Form rehearsal to the stage ✨ We are thrilled to be bringing back Sta…
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George Balanchine, who famously choreographed multiple ballets to composer Igor Stravinsky’s scores, once said: “I like Stravinsky's music. It is so strict, so solid. It never comes apart. You cannot improvise upon it. It's built like mathematics.” See three of his ballets set to Stravinsky's music: Apollo, Orpheus, and Agon (seen here) on the Stravinsky & Balanchine program, JAN 22, 24, 26 eve & FEB 1, 2 mat: nycballet.com/stravinsky | New York City Ballet
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George Balanchine, who famously choreographed multiple ballets to …
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4K views · 240 reactions | Horns blare on a twelve-tone scale during Agon's opening Pas de Quatre, signaling a new era in the histories of ballet and music alike. Experience this high point in Balanchine and Stravinsky's collaborative innovation on the Stravinsky Festival III program this spring: nycballet.com/stravinskyfestival3 | New York City Ballet | Facebook
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4K views · 240 reactions | Horns blare on a twelve-tone scale durin…
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Agon isn’t just a favorite for audience members and dancers, but a highlight for those who play the Stravinsky score. Ethan Silverman, New York City Ballet Orchestra’s Associate Bassoon, explains why Agon is the ballet he loves to perform the most in our winter repertory. “It is scored for a large orchestra, but mostly, at any given moment, there are only a few instruments playing, never everyone together. There are such strange and wonderful combinations of instruments. For example, a xylophone
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