More than 60 years later, Elvis Presley’s 1957 Christmas album is still the best-selling holiday record ever made.
If you want to add some spice to your holiday playlist, here’s how I'd rank the most popular covers of “All I Want For Christmas Is You”.
In 2025, bands had a lot to say about the state of the world, from La Dispute’s No One Was Driving the Car, which surveyed late-stage capitalism, and End It, who examined class structure through ...
Rosalía made an album invoking the saints, Lily Allen took us on a tragicomic trip through her domestic hell, Lady Gaga found the sweet spot between artpop and arena-ready funk, and Bad Bunny was just ...
Stream this list on Apple Music and Spotify. See The FADER's 50 best songs of 2025. In a chronically online, AI-slop-embedded hellscape, Don’t Tap the Glass is Tyler, the Creator’s surprise social ...
The Korean pop outsider Effie and the Brooklyn indie-rock band Geese top our critics’ lists this year. By Jon Caramanica and Lindsay Zoladz Jon Caramanica Musicians know how to make music, and they ...
The most compelling releases of the year reimagined hip-hop tracks, deep-rooted collaborations and longstanding inspirations. By Hank Shteamer In a year that saw the deaths of two leading drummers, ...
This is read by an automated voice. Please report any issues or inconsistencies here. Piling on, stripping down, looking back, pushing ahead: Musicians found all sorts of uses for the album form this ...
In other words, 2025 had plenty of peaks and valleys. In our list of the year’s top albums, we try to capture these trends and tell the story of a music scene that is fractured, matching a cultural ...
Magic is real, and we know this because science could never replicate the process that gave us Getting Killed. A bunch of talented Brooklyn teenagers emerge from the pandemic with a promising ...
I joined Paste in 2023 and, in my tenure as editor, this year’s AOTY list is my favorite by far. The publication has been doling out these rankings since 2002, affixing an “Album of the Year” ribbon ...
Earlier this year, my colleague and bud Kelefa Sanneh suggested that music critics, as a lot, have gone soft—becoming submissive, overly agreeable, and, in some cases, nearly servile. He’s right, of ...
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