Greaser’s Palace (Robert Downey Sr., 1972). Courtesy of Anthology Film Archives.

This article is part of Film Comment’s Best of 2025 coverage. Read all the lists here.

Expanded time: exceptional scenes from Happyend, The Mastermind, and The Secret Agent stir the viewer out of the solipsism of ...

Drumroll, please: critics Bilge Ebiri and Amy Taubin join for a real-time countdown of the films topping our year-end critics ...

Michael Koresky is the senior curator of film at the Museum of the Moving Image, and a member of the National Society of Film Critics. He frequently writes for the Criterion Collection, and hosts and ...

The dozen or so theaters that regularly offer repertory programming in New York afford a vantage on a vast moviegoing landscape that can be traversed nonstop. Here everything old is new again—what ...

The Girl on the Bridge The blindingly blonde fifties no-good-girl Beverly Michaels may have started young (she was a child model at age 9), but to watch her in her greatest films—post-noir low-rent ...

It’s a sign of how quickly things change in the movie business, but there was no such thing conceptually as a “reboot.” That idea didn’t exist when I came to look at Batman. That’s new terminology.

(Denis Villeneuve, Canada/Spain, 2013)The Portuguese title of The Double, the José Saramago novel upon which Enemy is loosely based, is O Homem Duplicado, or “The Duplicated Man.” I like “Enemy” for ...

(Neil Jordan, U.S./Ireland, 2009)Swooping across sparkling azure waters, the first shots of Neil Jordan’s Ondine envision Ireland amid a sea bubbling with ancient mystical forces. When the camera ...