The long-awaited New Museum retrospective of conceptual art pioneer Hans Haacke fell victim to internet hackers over the weekend trying to make a political point. The intervention drastically skewed ...

This is the second part of a two-part review of “Hans Haacke: All Connected” at the New Museum in New York. The first part can be found here. For myself, Hans Haacke’s masterpiece is A Breed Apart ...

Yesterday morning, the German artist Hans Haacke unveiled his equestrian sculpture for London’s Fourth Plinth, one of England’s most renowned publicly-funded art commissions (see Katharina Fritsch’s ...

Hans Haacke, “Condensation Cube” (1963–65); clear acrylic, distilled water, and climate in area of display, 12 x 12 x 12 in (30.5 x 30.5 x 30.5 cm). © Hans ...

Despite the industry of writing on Haacke and the (to me) undeniable example he has set as a vigilant, astringent presence in art circles, this false art-historical memory makes me suddenly wonder if ...

Hans Haacke, “Gift Horse” (2014), horse: bronze with black patina and wax finish stainless steel fasteners and supports, bow: 5mm flexible LED display stainless steel armature polycarbonate face, 15 ...

Hans Haacke, “Make Mar-a-Lago Great Again” (2019) banner, gold-plated golf club, painted tire, pillow, nine Statue of Liberty bobbleheads, seventy-inch monitor, three barriers, and drop cloth, ...

For myself, Hans Haacke’s masterpiece is A Breed Apart (1978), his series replicating the look of magazine ads for the then-sturdy British car brand Land Rover. These alternate lush photographs of ...

Hans Haacke is an influential German-born American Conceptual artist whose work critiques social and political systems, especially those found in the art world. Working across painting, installation, ...

At 83, he is the master of museum disruption. Curators have tried to ignore him. Who knows what he’ll do at the New Museum. By Blake Gopnik Anyone who knows much about the defiantly political art of ...